![]() Thoughts and other movies? Leave them below. Does this make the audience more prone to laugh at them? Or does it make the characters seem more inspired, intrepid, and smart? In the end, the answer is probably both and there's really nothing wrong with that. Once again, the bicycles in "Huckabees" may be meant to emphasize these characters' eccentricities. Quite possibly its funniest moment is when firefighter Mark Wahlberg rides his bicycle on an emergency call and beats the firetruck to the scene after it gets caught in a traffic jam. ![]() "Huckabees" contains many scenes of characters using bicycles for transport and has an environmental message at its heart. It's one of my all-time favorite comedies. In 2004, he directed the amazing "I Heart Huckabees," an off-beat tale about existentialism and quirky characters in search of themselves. ![]() Russell, who grew up in New York City, it started to make some sense. In the end, the director knows these intentions the best, and when I realized the director/writer was David O. Unburdened by the automobile, they have time to sort things out, to communicate, and to let their minds breathe. So do the filmmakers want us to think that since both of them are going thru emotionally tough times, they're not stable enough to drive? Possibly.īut it also just might be that their constitutionals and interactions give these characters more depth and let us get closer to them. Of course, one could argue their carlessness plays up their mental health problems and that they are not fully integrated with "normal" society. You really sense that the characters need to be in this alfresco mode, and that talking while walking is therapeutic and healthy. 24-26), which is something unacceptable for the police car. 109), but his occupation has become useless in a society that only watches TV. Mead’s outer characterization reveals that he used to be a writer (p. Whether it's on a date, walking home from a friend's dinner party, going out for a run, walking to eat cereal at the local diner, or just arguing in the street, this film shows them moving as pedestrians and it's very refreshing. Leonard Mead is the main character in the short story The Pedestrian by Ray Bradbury. And as the film unspooled, I got a pleasant surprise: Neither of the main characters owns (or drives) a car.Įxcept for the opening scenes where Pat (Bradley Cooper) is driven home to a Philadelphia suburb after eight months in a mental health facility, Pat and Tiffany (Jennifer Lawrence) spend nearly the entire movie getting to know each other while on foot. It certainly deserves to be right up there with the top pictures of 2012. I finally got around to seeing the Oscar-nominated "Silver Linings Playbook," and it's a charming film.
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